CORCORAN PRINTMAKIN'

Printmaking Department Show; CORCORAN COLLEGE OF ART + DESIGN

Hey printer party people; SGCI OR BUST! :) lookin forward to meeting you all!!

Senefelders THE STONES world tour; 1796. :::: Selling this shirt + others at SGCI in NEW ORLEANS! 

Historical lithographic image. Broken stone. Navy? Any one know whats going on in this image? 

10 broken lithography stones. Oh so sad. Out of the 58 stones, 48 are left. We used to have over 100 stones. 

indieenough:

So on Monday, with the help of my professor, we developed my solar plate. It was very much a learning experience, not only for myself but for my professor as well. As We were “troubleshooting” as he put it. Very expensive troubleshooting to say the least.

After developing the plate, the image appeared to very weak, it was the same for another girl in my class as well. We came to the conclusion that anything other than black stabilo pencils will not work for the solar plate process. The pigment is just too translucent on the glass and will not yield a good image.

Anyhow I’m retracing my images with a black pencil, and exposing another plate tomorrow.

I’m a lab tech over at the corcoran; as a fact- Attempt when exposing on a light table- You need to compensate for variables on the film, and as well with your pens. The best type of pen would be the Sharpie paint pens. Because they fill in dark and opaque; theres more light being blocked. Also, your exposure times may vary greatly. We do our exposures at 9-23 light units depending on film and if its photographic or line work. 

our press named after mary magdalene…..

cavetocanvas:

Paul Delaroche, Drapery Study for the Figure of the Dying Mary Magdalene, 1815-56

rchlhrbk:

“Zombie Tits” - Jordan Sanders

One of my class mates made a fantastic print for his intro class of this image. I helped him out. FANTASTIC! 

lithoshop:

This is the Printmaker when he/she experiences the following: a stone breaks, buys brittle rubylith, a screen fills in, a plate gets accidentally left in the acid for three days, cuts too much away from their block, you realize you should work downtown taking fingerprints from criminals because that is what your prints look like anyway,  wood is warped, copper gets scratched, stone fills in, screen rips, cuts finger with gouge, film has banning, underexposes, overexposes, nice round scratches on your perfectly grained stone,  beer runs out, holes stretch on paper, some douche prints on the felts, someone hides the last scoop of photo-emulsion,  type gets slammed on the tympan, ink bronzes when dry, yellow ink turns green on copper, some dick uses cheesecloth as tarlatan, technician buys the cheap ass tint base that is yellower than benz, some eco-friendly person tries to tell them that water based inks are equal to oil, someone has hidden the opaque white….again, someone forgot to clean the roller (and slab, and ink knives, and edge of table, and the fan, and the can of ink they were using, and their fucking hands which have left fingerprints all over the press, prints, drying rack, water fountain, doorknob, acid bottles, cheesecloth, stone lift, and everything else they happened to touch), someone didn’t clean the emulsion tray, someone didn’t put the type back in the shelves, it takes four days to etch a plate because of weak mordant, there is more ink on your face than on paper, why do my prints suck-ass, someone used your paper you had soaking for two hours, relief block filled in because the ink was too soupy, relief block printed gray because you didn’t have enough ink on it, beveling……what’s that?, the squeegee is dull, your registration got fucked somehow, over packed cylinder, ink smudges out from the bottom of your plate because you didn’t think to clean the back of it before putting it on the press (you are the same person who printed on the felts), someone used the yellow tarlatan for blue ink, fuck me, is she really going out with him, ink bleeding like a stuck pig, someone forgot to clean the sides of the roller, you realize that your emulsion was still wet when you exposed your screen (or better yet, knew it was wet but were in a hurry and didn’t give a flying fuck about anyone else…..dickhead), rollers are hard a rock, the nitrile glove box is empty (but then you remembered you don’t wear them anyway, do you?), when your friend tells you he/she has made a digital print and now they are a printmaker, what’s ventilation, you want to use the drying rack but someone has had their prints in there for over a month, your print has water streaks all over it, your ink is dry on that screen dummy, someone has left more grease on the bottom of the tympan then the top, you want to use the ink but it feels as if someone super-glued the top to the can, the 80 grit is out so have fun using 100 for a hour, hand cleaner is empty…hello shitty pink liquid, water bowls are black with ink, not a clean sponge within a mile, you don’t know which is the mag, whiting or talc, more scratches on the exposure unit than last semester, is that letter press or braille,  where is the duck tape, who left this crumb here, why am I doing this?????????? Add on at your discretion.

(via kristinejoymallari)